Multi-channel Video with Installation, Dimensions Variable
Installed at Arko Art Center

Sound by CIFIKA
Landscape Installation by Elle Travaille

다채널 영상과 혼합매체, 가변설치
아르코 미술관 설치

사운드 : 씨피카
조경 설치 : 엘트라바이


Famous Scenes
〈유명한 풍경〉, (2021)


Contemporary human experience has been reinforced by digital technology and progressed to be more complex and diverse. Simultaneously, two-dimensional digital formats dominate the experience, turning them more restricted. Such human perception in transition alters one’s lifestyle and influences their way of dealing with the environment. Famous Scenes captures the rapidly changing landscapes overwhelmed by machinery and expresses perspectives toward the complicated surroundings using diverse media. Audiences encounter images created with technology that reproduces familiar natural elements making them appear lifelike on screen. The images are mixtures of states of stillness-mobility and reality-imagination, and they are designed to multiply constantly on the screen. Their structures stimulate the human eyes, allowing them to observe things in greater detail. Audiences are not in a restrictive viewing environment. They can move between the monitors arranged sculpturally in the exhibition space and have a chance to enter an excessively magnified two-dimensional space. They will encounter an enhanced version of nature as part of flowing changes.

오늘날 인간의 경험은 디지털 기술로 증강되며 더욱 복잡하고 다양해지고 있지만, 동시에 평면의 디지털 판형에 억눌려 변해가고 있다. 〈유명한 풍경〉은 기술에 압도되어 빠르게 변화하는 풍경을 포착하고 이를 다양한 매체로 표현하여 오늘날 다양한 기기로 재현되는 복잡한 풍경을 보여준다. 스위스의 도시 호슈 Roche에서 몰입된 풍경을 촬영하였고, 촬영된 디지털 이미지를 자연을 화면 속에서 생생하게 재현할 때 주로 사용되는 2D-3D기술을 혼합, 활용하여 재생산하였다. 정적-동적, 실제-가상의 상태를 혼합하여 관람자가 작업을 감상하는 방식에 의해 이미지가 확장될 수 있도록 만들어졌다. 관객은 전시공간에 입체적으로 설치된 모니터 사이를 거닐며 작품과 함께 유동하는 변화의 일부로써 자연을 경험할 수 있다.

Sound by CIFIKA
Landscape Installation by Elle Travaille
Video documentation by ooee Studio
Commissioned by Arko for Group Exhibition ’Nothing makes itself’ at Arko Art Center

구Gijeong Goo기정

작업Works들
2026 Neutral Stretch / Layered Scenes / The Transparent Visual Appartus 7~12 / Endless Macro Hybrid Scenes / Exceeded Scenes 5 / Every organism subtly moves with its own independent rhythm / Exceeded Scenes 1-5 / Screen Chambers 1~3 / Macro Hybrid Scenes II 
2025 The Transparent Rendering Apparatus /The Transparent Visual Scenes / Relax+Motion+Effect / The Transparent Visual Apparatus 3~6 / The Transparent Visual Apparatus 1,2 / Exceeded Scenes 4
2024 Macromachineplantincubator /Macro Hybrid Scenes / Hybrid Isolated Landscape / Spectral field
2023 A deep realm where no shadows draw / Exceeded Scenes 1-4 / Exceeded Scenes 1-3 / Facing and Strolling / Crossing Bodies / Macro Scenes
2022 Contrology / Contrology (performance) / Whose order do your fingers follow? / Coagulation 3 / Exceeded Scenes 3 / Exceeded Scenes 1-2 / Exceeded Scenes 2 
2021 Famous Scenes / Exceeded Scenes 1 / Water is Transparent 2 / Rendered Pool / Synthetic Nature
2020 Tangible Moment / The Wall / Water is Transperent / Unknown
2019 Coagulation 2 / Coagulation / Rendered Nature / Bodi Stimuli / Douleur 3 / Douleur 2
2018 Nature is Blue / Douleur / The Excavation of Dream / New Machine
2015 Real-Google-Earth

기획Curations들 
Clearview Mechanism / Trans-비전ヴィジョン / Contrology

비평Critiques&외Other Materials
2026 초과된 풍경이 제안하는 밀도있는 삶
2025 Symbiocene: On the Living  / 구기정의 초과된 디깅과 (불)가능한 해부
2024 Gijeong Goo’s Rendering ≥ World
=%세GyeSe계세계Saegye
/ 구기정의 렌더링 ≥ 월드 =%세GyeSe계세계Saegye / 인공적인 풍경-자연스런 알아차림 / 더 자세한 소개
2023 I am listening in the room / Embracing: In and Out of the Body 
2022 아주 미세한 이질감의 배치 / 미디어 문법, 응고된 신체를 자각하기 위한 장으로서의 Contrology / Access-Control-Allow-Origin / 비지시적 사물들 / Ambiguous 3D World
2021 Super fine: 가벼운 사진술
2019 Exposing Humanity in the Machine
2014 100-0%

CV / Contact

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