구Gijeong Goo기정

작업Works들
2026 Neutral Stretch / Layered Scenes / The Transparent Visual Appartus 7~12 / The Transparent Rendering Apparatus 1-2 / Endless Macro Hybrid Scenes / Exceeded Scenes 5 / Every organism subtly moves with its own independent rhythm / Exceeded Scenes 1-5 / Screen Chambers 1~3 / Macro Hybrid Scenes II 
2025 The Transparent Rendering Apparatus /The Transparent Visual Scenes / Relax+Motion+Effect / The Transparent Visual Apparatus 3~6 / The Transparent Visual Apparatus 1,2 / Exceeded Scenes 4
2024 Macromachineplantincubator /Macro Hybrid Scenes / Hybrid Isolated Landscape / Spectral field
2023 A deep realm where no shadows draw / Exceeded Scenes 1-4 / Exceeded Scenes 1-3 / Facing and Strolling / Crossing Bodies / Macro Scenes
2022 Contrology / Contrology (performance) / Whose order do your fingers follow? / Coagulation 3 / Exceeded Scenes 3 / Exceeded Scenes 1-2 / Exceeded Scenes 2 
2021 Famous Scenes / Exceeded Scenes 1 / Water is Transparent 2 / Rendered Pool / Synthetic Nature
2020 Tangible Moment / The Wall / Water is Transperent / Unknown
2019 Coagulation 2 / Coagulation / Rendered Nature / Bodi Stimuli / Douleur 3 / Douleur 2
2018 Nature is Blue / Douleur / The Excavation of Dream / New Machine
2015 Real-Google-Earth

기획Curations들 
Clearview Mechanism / Trans-비전ヴィジョン / Contrology

비평Critiques&외Other Materials
2026 초과된 풍경이 제안하는 밀도있는 삶
2025 Symbiocene: On the Living  / 구기정의 초과된 디깅과 (불)가능한 해부
2024 Gijeong Goo’s Rendering ≥ World
=%세GyeSe계세계Saegye / 구기정의 렌더링 ≥ 월드 =%세GyeSe계세계Saegye / 인공적인 풍경-자연스런 알아차림 / 더 자세한 소개
2023 I am listening in the room / Embracing: In and Out of the Body 
2022 아주 미세한 이질감의 배치 / 미디어 문법, 응고된 신체를 자각하기 위한 장으로서의 Contrology / Access-Control-Allow-Origin / 비지시적 사물들 / Ambiguous 3D World
2021 Super fine: 가벼운 사진술
2019 Exposing Humanity in the Machine
2014 100-0%

CV / Contact