구
Gijeong Goo
기정
작업
Works
들
2026 Neutral Stretch / Layered Scenes /
Layered Scenes: Window
/ The Transparent Visual Appartus 9-15 /
Endless Macro Hybrid Scenes
/
Exceeded Scenes
5 /
Every organism subtly moves with its own independent rhythm
/
Exceeded Scenes
1-5 /
Screen Chambers
1-3 /
Macro Hybrid Scenes II
2025
The Transparent Rendering Apparatus
/
The Transparent Visual Scenes
/
Relax+Motion+Effect
/
The Transparent Visual Appartus
7-8 /
The Transparent Visual Apparatus
3-6 /
The Transparent Visual Apparatus
1-2 /
Exceeded Scenes
4
2024
Macromachineplantincubator
/
Macro H
ybrid Scenes
/
Hybrid Isolated Landscape
/
Spectral field
2023
A deep realm where no shadows draw
/
Exceeded Scenes
1-4 /
Exceeded Scenes
1-3 /
Facing and Strolling
/
Crossing Bodies
/
Macro Scenes
2022
Contrology
/
Contrology
(performance) /
Whose order do your fingers follow
? /
Coagulation
3 /
Exceeded Scenes
3 /
Exceeded Scenes
1-2 /
Exceeded Scenes
2
2021
Famous Scenes
/
Exceeded Scenes
1 /
Water is Transparent
2 /
Rendered Pool
/
Synthetic Nature
2020
Tangible Moment
/
The Wall
/
Water is Transperent
/
Unknown
2019
Coagulation
2 /
Coagulation
/
Rendered Nature
/
Bodi Stimuli
/
Douleur
3 /
Douleur
2
2018
Nature is Blue
/
Douleur
/
The Excavation of Dream
/
New Machine
2015
Real-Google-Earth
기획
Curations
들
Clearview Mechanism /
Trans-비전ヴィジョン
/
Contrology
비평
Critiques
&외
Other Materials
2026
초과된 풍경이 제안하는 밀도있는 삶
2025
Symbiocene: On the Living
/
구기정의 초과된 디깅과 (불)가능한 해부
2024
Gijeong Goo’s Rendering ≥ World
=%세GyeSe계세계Saegye
/
구기정의 렌더링 ≥ 월드 =%세GyeSe계세계Saegye
/
인공적인 풍경-자연스런 알아차림
/
더 자세한 소개
2023
I am listening in the room
/
Embracing: In and Out of the Body
2022
아주 미세한 이질감의 배치
/
미디어 문법, 응고된 신체를 자각하기 위한 장으로서의 Contrology
/
Access-Control-Allow-Origin
/
비지시적 사물들
/
Ambiguous 3D World
2021
Super fine: 가벼운 사진술
2019
Exposing Humanity in the Machine
2014
100-0%
CV
/
Contact
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